Understanding Transcription

Scholar Henry Glassie describes an interviewee’s dictation of oral history as a process by which truth is constructed through recall and discovered:

“When [the interviewees] string facts into narratives, they will create something other than the factual past, if only by dint of omission, and the dynamics of presentation, but they do not do so to fool people but to help them by driving at a larger truth than that trapped in the factual scraps … their joy is finding, holding, manipulating truth” (Abrams 47).

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What does ‘oral history’ mean for our project?

As articulated in Lynn Abrams’s Oral History Theory, oral history is a creative, methodological tool of research that involves analyzing “not just what is said, but also how it is said, why it is said and what it means” (1). As a three-way conversation between the interviewee, researcher, and the culture introduced by their shared intersubjectivity, the practice of oral history refers to information and stories shared, in addition to the larger meanings created by interviewees through reconstructions of experience.

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